Question

1. Escolha as preposições corretas para preencher as lacunas do texto.

''Art is a lie that makes us realize the truth'' -Pablo Picasso

Picasso was a Spanish painter, draughtsman, and
sculptor. He is one of the most recognized fi gures (on/in)
20th
-century art. He is best known for co-founding the
Cubist movement and for the wide variety of styles
embodied (in/at) his work. (Between/Among) his most
famous works are the proto-Cubist Les Demoiselles
d’Avignon (1907) and Guernica (1937), his portrayal of the
German bombing of Guernica during the Spanish Civil
War.
Picasso demonstrated uncanny artistic talent (at/in)
his early years, painting in a realistic manner through his
childhood and adolescence; during the fi rst decade of the
twentieth century his style changed as he experimented
with different theories, techniques, and ideas. Picasso’s
creativity manifested itself (in/on) numerous mediums,
including painting, sculpture, drawing, and architecture.
He was a superstitious, sarcastic man, sometimes rotten to his children, often beastly (to/from) his women. He
had contempt for women artists. His famous remark about women being “goddesses or doormats” has rendered
him odious to feminists, but women tended to walk (into/over) both roles open-eyed and eagerly, for his charm was
legendary.
No painter or sculptor, not even Michelangelo, had been as famous as this in his own lifetime. And it is quite
possible that none ever will be again, now that the mandate to set forth social meaning, to articulate myth and
generate widely memorable images has been so largely transferred (from/under) painting and sculpture (over/to)
other media: photography, movies, television. He was not a realist painter, still less anyone’s official muralist, and
yet Guernica remains the most powerful political image in modern art, rivaled only by some of the Mexican work of
Diego Rivera.
Picasso was regarded as a boy genius, but if he had died before 1906, his 25th
year, his mark on 20th
century art would
have been slight. The so-called Blue and Rose periods, with their wistful etiolated fi gures of beggars and circus folk, are
not, despite their great popularity, much more than pendants to late 19th
century Symbolism. It was the experience of
modernity that created his modernism, and that happened in Paris. There, mass production and reproduction had come to
the forefront of ordinary life: newspapers, printed labels, the overlay of posters on walls – the dizzily intense public life of
signs, simultaneous, high-speed and layered. This was the cityscape of Cubism.

2. Marque S (sim), caso as perguntas possam ser respondidas com informações contidas no texto, e N (não), caso não haja
resposta para a pergunta no texto.
( ) What did Picasso do?
( ) When did his style change?
( ) Who bought his most famous works?
( ) What kind of man was Picasso?
( ) How much were his paintings worth?
( ) Who hated Picasso?

3. Copie do texto uma frase no conditional III e traduza-a.

Answer 1

⇒⇒  Prepositions

⇒⇒  Third Conditional

''Art is a lie that makes us realize the truth'' -  Pablo Picasso

Picasso was a Spanish painter, draughtsman, and sculptor. He is one of the most recognized figures in 20th century art. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d’Avignon (1907) and Guernica (1937), his portrayal of the

German bombing of Guernica during the Spanish Civil War.

Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented

with different theories, techniques, and ideas. Picasso’s  creativity manifested itself in numerous mediums, including painting, sculpture, drawing, and architecture.

He was a superstitious, sarcastic man, sometimes rotten to his children, often beastly to  his women. He had contempt for women artists. His famous remark about women being “goddesses or doormats” has rendered him odious to feminists, but women tended to walk into both roles open-eyed and eagerly, for his charm was legendary.

No painter or sculptor, not even Michelangelo, had been as famous as this in his own lifetime. And it is quite possible that none ever will be again, now that the mandate to set forth social meaning, to articulate myth and generate widely memorable images has been so largely transferred from painting and sculpture to other media: photography, movies, television. He was not a realist painter, still less anyone’s official muralist, and yet Guernica remains the most powerful political image in modern art, rivaled only by some of the Mexican work of Diego Rivera.

Picasso was regarded as a boy genius, but if he had died before 1906, his 25th year, his mark on 20th  century art would  have been slight. The so-called Blue and Rose periods, with their wistful etiolated figures of beggars and circus folk, are not, despite their great popularity, much more than  pendants to late 19th century Symbolism. It was the experience of modernity that created his modernism, and that happened in Paris. There, mass production and reproduction had come to the forefront of ordinary life: newspapers, printed labels, the overlay of posters on walls – the dizzily intense public life of  signs, simultaneous, high-speed and layered. This was the cityscape of Cubism.

2. Marque S (sim), caso as perguntas possam ser respondidas com informações contidas no texto, e N (não), caso não haja resposta para a pergunta no texto.

(S) What did Picasso do?

(S) When did his style change?

( ) Who bought his most famous works?

(S) What kind of man was Picasso?

( ) How much were his paintings worth?

(S) Who hated Picasso?

3. Copie do texto uma frase no ''Conditional III'' e traduza-a.

Picasso was regarded as a boy genius, but if he had died before 1906, his 25th year, his mark on 20th  century art would  have been slight.

Picasso era considerado um menino gênio, mas se ele tivesse morrido antes de 1906, ano do seu 25º aniversário, sua marca na arte do século 20 teria sido pequena.

→→ Terceira Condicional - Third Conditional >> para falar sobre  uma situação que não aconteceu, mas que dá para imaginar como seria se tivesse acontecido.  

Em português: Se você tivesse chegado mais cedo (situação que não aconteceu) , você teria jantado conosco. (como seria se tivesse acontecido)

Estrutura

If + sujeito +      past perfect +    would have + particípio

If the weather had been good  I  would have gone to the beach.

Se o tempo estivesse bom, eu teria ido à praia.

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