Question

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Complete the gaps with the past simple:

Pierre-Auguste Renoir________(to be) a French Impressionist painter whose eye for beauty____________(to make) him one of the movement's most popular practitioners. As a boy, he_______________(to work) in a porcelain factory where his drawing talents led to his being chosen to paint designs on fine china. He is best known for his paintings of bustling Parisian modernity and leisure in the last three decades of the 19th century. Renoir__________(to have) a brilliant eye for both intimate domesticity and the day's fashions, and his images of content families and well-dressed Parisian pleasure seekers ____________(to create)a bridge from Impressionism's more experimental aims to a modern, middle-class art public. He______________(to capture) the movement of light and shadow and ____________(to start) to explore Renaissance painting in the middle of his career. In 1862, he _______________(to begin) studying art under Charles Gleyre in Paris. There he______________(to meet) Alfred Sisley, Edgar Degas, Claude Monet, and Paul Cezanne. Working with Claude Monet helped developing Renoir's Impressionist style in the late 1860s and his example _______________(to become) indispensable for the major French movements of high modernism: Favism and Cubism.

Answer 1

Resposta:

Pierre-Auguste Renoir was (to be) a French Impressionist painter whose eye for beauty made (to make) him one of the movement's most popular practitioners. As a boy, he worked (to work) in a porcelain factory where his drawing talents led to his being chosen to paint designs on fine china. He is best known for his paintings of bustling Parisian modernity and leisure in the last three decades of the 19th century. Renoir had (to have) a brilliant eye for both intimate domesticity and the day's fashions, and his images of content families and well-dressed Parisian pleasure seekers created (to create)a bridge from Impressionism's more experimental aims to a modern, middle-class art public. He captured (to capture) the movement of light and shadow and started (to start) to explore Renaissance painting in the middle of his career. In 1862, he began (to begin) studying art under Charles Gleyre in Paris. There he met (to meet) Alfred Sisley, Edgar Degas, Claude Monet, and Paul Cezanne. Working with Claude Monet helped developing Renoir's Impressionist style in the late 1860s and his example became (to become) indispensable for the major French movements of high modernism: Favism and Cubism.

Explicação: